Tag Archives: Andrew Catania

Yngwie Malmsteen Isn’t Interested In Working With Jeff Scott Soto, Joe Lynn Turner and Tim Ripper Owens Again

Metal Wani‘s editor in chief Owais “Vitek” Nabi recently conducted an interview with legendary Swedish guitarist Yngwie Malmsteen. You can now listen to the chat below.

On whether he has considered working with singers like Jeff Scott SotoJoe Lynn Turner and Tim “Ripper” Owens again on an album or a tour:

Yngwie: “Actually, no, I have not, because I found myself very much… I’m very comfortable singing myself, first of all. Secondly, there’s a certain disconnect when you write the song, and you have someone else sing it for you. And it’s kind of like a fakeness about it. I always wrote everything — I wrote all the lyrics, I wrote all the melodies, everything; it’s just somebody else sung it. And to me, the singer is nothing else than a different like a bass player or a keyboard player — they’re not more important than any other musician. And they, unfortunately, seem to think that they are. And I’ve kind of had it with their sort of… self-absorbed sort of way and I’m very much against it. No. I don’t like that. I don’t like any of those people, and I don’t like to do anything with them ever again.”

On illegal music downloading albums being leaked well ahead of their release dates:

Yngwie: “It’s a horrible thing. And if it weren’t for the fact that the music itself is so rewarding to create, I don’t think I would have done it anymore. Because it’s like somebody, I don’t know; It doesn’t matter what you make — if you create a movie or build a car or whatever, it’s the amount of blood, sweat and tears and money and everything that goes into it that needs to be rewarded. Funnily enough, I was talking to my son about this — I think there might be a small resurgence of the vinyl scene again, so I might start doing that too. It’s a problem, definitely, in a sense where you don’t feel that you get the financial reward that you should get, but the satisfaction of creating a record, a full album, and listening back to it and going, ‘Shit, this is not bad. I did well.’ That is an amazing feeling because it’s [part of your] legacy that will never go away. Long after I’m gone, it’ll still be there. So I don’t think it’s… Just because the money part is… you’re being robbed … I still love doing it. I still like to go into the studio and write and all that.”

Malmsteen‘s recent U.S. trek marked his first run of dates in the States since 2016 when he took part in the “Generation Axe” tour alongside Steve VaiZakk WyldeNuno Bettencourt and Tosin Abasi, playing to more than seventy thousand people over twenty-seven shows.

Yngwie‘s latest album, “World On Fire,” came out in June 2016 via King Records.

Marcelo Souza – The Emerging Brazillian Guitarist

By Andrew Catania

Marcelo Souza, you might have heard his name on YouTube and Facebook, as he is now an emerging Brazilian guitarist. He has faced tough times to make his mark in the world, and now he is known to the world because of the talent he has expertise in.

At the early age of 13, he started taking the guitar lessons. He got his experience in various aspects of music like rock, fusion, jazz, blues, Brazilian music and the traditional classical music. He studied the classical guitar at the famous school of arts Maestro Fêgo Camargo in Taubaté São Paulo in Brazil.

In 2005 he graduated with the Bachelor of guitar from the FASC. He did not just stopped there and continued to take private tuitions for the particular music theory and arrangements.

He started his career by working as a guitarist and arranger. He uploaded several videos that gave him the chance to work with many famous artists that include the Hevelyn Costa and Christian of the young talent twiggy and the prestigious singer Cecilia Militão.

He conducted several workshops and showed his talent in the major events in Brazil. In 2006 he performed in the first national anthem of Brazil in the case of a national basketball league, this event got the coverage from the global television networks.

In 2007, he appeared as the guitarist with the famous lady singers Daniela Mercury and Rita Lee in an album that was a tribute to Paul McCartney. The track Suicide in which he made the guitar notes got him acknowledged.

The event that earned him the credibility and reputation was in 2009 when he was invited to perform as the opener of the workshop guitarist in Faíska in Taubaté, and the show gained a record-breaking attendance in the region of Vale do Paraíba.

Marcelo released his instrumental work with the name of Circles of Fire in 2011. The critics wrote many praising articles for his work that were published in Guitar Player. When the CD was released with Edu Ardanuy, it got appreciation from the audience in the form of their thoughtful comments.

In 2012, he made his mark on the social media network when he played at the Fire custom shop stands with many great musicians at the expo music.

In 2013, he got the chance to become a part of two leading international events. Marcelo personally interviewed Vinnie Moore, the legendary guitarist.

Nowadays he teaches in his Musical Institute, where with the help of his instrumental work he is enhancing the expertise, musical and technical knowledge of many.

His passion and dedication have made him reach this level of success that most only dream of. You must check out his videos to know more about him and his talent. He has become an inspiration for many youngsters who want to pursue the same career.

Tony MacAlpine – A Modern Music Virtuoso

By Andrew Catania 

An accomplished solo artist with his signature style, a competent band member, an enthralling session player, a master producer, and a crackerjack bitten by the travel bug – Tony MacAlpine is a name that rhymes and resonates in perfect unison with the modern techniques and contemporary trends of the guitars and music acoustics of the present age.

His style is unique, majorly inclined towards classical, rock and fusion. Holding a substantial expertise on his instruments and chords, he sure knows how to squeeze the tones and carve out music planes, in rock as well as metal domains, through guitars and keyboards alike.

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Born on 29th August 1960, Tony set his hands on a piano at the age of 5 and moved on to explore and ace the intricacies of guitar chords by the time he was 12. Having started playing at such a young age, it came as no surprise that Tony MacAlpine was introduced as an emerging music sensation in the Guitar Player magazine in an article by Mike Varney in 1984.

Having started learning the tidbits and intricacies of the chords, keys, and strings, Tony MacAlpine made a brisk and promising start to his professional career in the 1980s, launching his debut studio album ‘Edge of Insanity’ featuring Billy Sheehan and Steve Smith in 1986. A year later, he teamed up with George Lynch, Deen Castronova, Atma Anur, and Jeff Watson to produce ‘Maximum Security’ in 1987. Both records received a tremendous applause from the music enthusiasts and critics alike. Not looking back since, he has progressed to ace his domain and has produced some records and releases, solos and joint ventures, to extend his music profile.

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Tony MacAlpine is known for the variety of his fusion techniques. He possesses this magical tendency to play complex shreds and pulls. One of his most famous techniques is the eccentric modification of sweep picking into sweep tapping, which he manages to pull through a perfect blend of his skills. Once influenced by the neoclassical metal genre, Tony MacAlpine explored and tapped into a variety of, not only experiencing it through his fingers, but leaving his signature mark on them before he finally landed in to play and ace the rock metal domain.

Besides his natural brilliance and learned expertise, the credit for the nuances and variety of his techniques can also be accredited to the equipment and instruments that he plays. From the Kramer, BC Rich, Mason Bernard, Peavey, Washburn Mercury Series, Carvin, and Ibanez guitars to DiMarzio and Seymour Duncan pickups, and from GHS and Ernie Ball Strings to Peavey, Rockman, and Hughes and Kettner amplifications, Tony MaCalpine’s fingers have befriended an extensive myriad of instruments over time, and a chronology of his releases and discography clearly indicates his passion for experimenting with new equipment and chords.

Some of the most notable highlights on his professional career include ‘Eyes of the World’, ‘Premonition’, ‘Madness’, ‘Evolution’, ‘Chromaticity’ as a solo, ‘Universe’ Live from Oz’, ‘Moon Babies’ with Planet X, ‘Cab Saga’ with the CAB, ‘Ring of Fire’, ‘Edge of the World’ with Mark Boals, ‘Live at Astoria London’, ‘G3: Live in Denver’, and ‘G3: Live in Tokyo’ with Steve Vai.

Check Tony out @ http://www.tonymacalpine.com/

Happy Birthday Jason Becker

By Andrew Catania

Jаѕоn Elі Bесkеr (bоrn Julу 22, 1969) іѕ аn Amеrісаn hеаvу mеtаl guіtаrіѕt аnd соmроѕеr. At the аgе оf 16, hе bесаmе раrt оf thе Shrарnеl Rесоrdѕ-рrоduсеd duо Cасорhоnу wіth hіѕ frіеnd Mаrtу Frіеdmаn. Thеу rеlеаѕеd thе аlbumѕ Sрееd Mеtаl Sуmрhоnу іn 1987 аnd Gо Off іn 1988. Cасорhоnу brоkе uр іn 1989 аnd Bесkеr bеgаn doing ѕоlо wоrk, hаvіng rеlеаѕеd hіѕ fіrѕt аlbum Pеrреtuаl Burn іn 1988, аlѕо thrоugh Shrарnеl. Hе lаtеr jоіnеd Dаvіd Lее Rоth’ѕ bаnd аnd rесоrdеd оnе аlbum wіth hіm, A Lіttlе Aіn’t Enоugh.

Bесkеr’ѕ реrfоrmіng саrееr wаѕ сut ѕhоrt bу аmуоtrорhіс lаtеrаl ѕсlеrоѕіѕ (ALS). In 1996, Bесkеr lоѕt thе аbіlіtу tо ѕреаk, аnd hе nоw соmmunісаtеѕ wіth hіѕ еуеѕ vіа a ѕуѕtеm dеvеlореd bу hіѕ fаthеr. Dеѕріtе hіѕ dіѕаbіlіtу, hе соntіnuеѕ соmроѕіng bу uѕіng a соmрutеr аnd hаѕ ѕіnсе rеlеаѕеd wіth Shrарnеl Cоllесtіоn, a “bеѕt оf” аlbum оf hіѕ fаvоrіtе ѕоngѕ аnd thrее nеw ѕоngѕ.

Cоnѕіdеrеd аn еxреrt guіtаrіѕt and оnе оf thе tор рlауеrѕ оf hіѕ tіmе, Jаѕоn Bесkеr ѕtudіеd thе wоrkѕ оf vіоlіnіѕt Nіссоlò Pаgаnіnі аnd wаѕ a рlауіng раrtnеr wіth Mаrtу Frіеdmаn. Hе lаtеr аrrаngеd Pаgаnіnі’ѕ 5th Cарrісе, реrfоrmіng іt during аn іnѕtruсtіоnаl guіtаr vіdео. Bесkеr’ѕ соmроѕіtіоnѕ оftеn іnсludе hіgh-ѕрееd ѕсаlаr аnd arpeggio раѕѕаgеѕ trаdеmаrkѕ оf hіѕ ‘ѕhrеd’ ѕtуlе оf guіtаr рlауіng. Oftеn іnсоrроrаtіng аdvаnсеd tесhnіԛuеѕ ѕuсh аѕ ѕwеер рісkіng, аltеrnаtе рісkіng, аrtіfісіаl hаrmоnіс ассеntіng, аnd tарріng; hе wаѕ аmоng thе lеаdеrѕ іn thе fіеld durіng thе tесhnісаl ‘ѕhrеd’ guitar, аnd Nео-Clаѕѕісаl Mеtаl trеnd оf thе mіd tо lаtе еіghtіеѕ аnd іѕ ѕtіll rеѕресtеd аnd hоnоrеd bу hіѕ musician рееrѕ tоdау.

Pеrhарѕ thе mоѕt hіgh-рrоfіlе аrtіѕt bаttlіng ALS іѕ Jаѕоn Bесkеr, thе tаlеntеd guіtаrіѕt whо ѕееmеd роіѕеd tо еmbаrk on a brіllіаnt саrееr bеfоrе hе received hіѕ dіаgnоѕіѕ іn thе еаrlу ’90ѕ. Rіѕіng tо рrоmіnеnсе аlоngѕіdе Mаrtу Frіеdmаn іn thе ѕhоrt-lіvеd рrоjесt Cасорhоnу, Bесkеr rеlеаѕеd a ѕоlо аlbum (‘Pеrреtuаl Burn’) іn 1988, аnd thеn саught thе еаr оf thеn-fоrmеr Vаn Hаlеn frоntmаn David Lее Rоth, whо nееdеd a rерlасеmеnt fоr dераrtіng guіtаrіѕt Stеvе Vai.

Rоth еnlіѕtеd Bесkеr fоr hіѕ thіrd ѕоlо LP, 1991’ѕ ‘A Lіttlе Aіn’t Enоugh,’ but whаt іnіtіаllу арреаrеd tо bе thе fіrѕt іn a ѕеrіеѕ оf bіg brеаkѕ еndеd uр bеіng a tеѕt оf endurance. Aftеr nоtісіng a lіmр іn hіѕ lеft lеg, Bесkеr ѕоught mеdісаl аttеntіоn аnd gіvеn thе grіm nеwѕ thаt hе hаd ALS. A рrоgrеѕѕіvе nеurоdеgеnеrаtіvе dіѕеаѕе thаt аffесtѕ nеrvе сеllѕ іn thе brаіn аnd thе ѕріnаl соrd, ALS grаduаllу rоbѕ іtѕ vісtіmѕ оf thе аbіlіtу tо соntrоl muѕсlе mоvеmеnt, ѕtаrtіng wіth fіnе mоtоr ѕkіllѕ (ѕuсh аѕ рlауіng guіtаr). Cоntіnuіng thrоugh dаіlу асtіvіtіеѕ mоѕt оf uѕ tаkе fоr grаntеd, ѕuсh аѕ wаlkіng or bеіng able to ѕреаk. Thе gеnеrаl рrоgnоѕіѕ іѕ grіm, wіth mоѕt раtіеntѕ раѕѕіng аwау wіthіn thrее tо fіvе уеаrѕ frоm thе оnѕеt оf ѕуmрtоmѕ.

Dеtеrmіnеd to рrеѕѕ оn еvеn аftеr hіѕ dіаgnоѕіѕ, Bесkеr mаnаgеd tо fіnіѕh thе ‘A Lіttlе Aіn’t Enоugh’ ѕеѕѕіоnѕ, but he wаѕ unаblе tо jоіn Rоth on tоur аnd ѕооn lоѕt thе аbіlіtу tо реrfоrm. Hе’ѕ lіvеd wеll bеуоnd the іnіtіаl lіfе еxресtаnсу thе dосtоrѕ оrіgіnаllу gаvе hіm, hоwеvеr, аnd thаnkѕ tо ѕоmе unіԛuе ѕоftwаrе thаt trасkѕ еуе mоvеmеnt. Hе rеmаіnѕ аblе tо соmmunісаtе аnd соmроѕе hіѕ ѕесоnd ѕоlо LP, ‘Pеrѕресtіvе,’ wаѕ rеlеаѕеd іn 1996, аnd he mаіntаіnѕ аn асtіvе соnnесtіоn wіth hіѕ fаnѕ vіа hіѕ оffісіаl wеbѕіtе.

Hіѕ ALS grаduаllу rоbbеd hіm оf hіѕ аbіlіtу tо рlау guіtаr, tо walk, аnd еvеntuаllу hіѕ аbіlіtу tо ѕреаk. Hе nоw соmmunісаtеѕ wіth hіѕ еуеѕ vіа a ѕуѕtеm dеvеlореd bу hіѕ fаthеr. Hе rеmаіnѕ mеntаllу ѕhаrр аnd, wіth thе аіd оf a соmрutеr, соntіnuеѕ соmроѕіng. In thе bасk оf thе Pеrѕресtіvе CD саѕе, Bесkеr ѕtаtеѕ “I hаvе Amуоtrорhіс Lateral Sсlеrоѕіѕ. It hаѕ сrіррlеd mу bоdу аnd ѕреесh, but nоt mу mіnd.” His mеdісаl соndіtіоn hаѕ rеmаіnеd ѕtаblе ѕіnсе 1997. Hоwеvеr, whеn Bесkеr соuld nо lоngеr рhуѕісаllу рlау еvеn a kеуbоаrd, hіѕ frіеnd аnd muѕіс рrоduсеr Mіkе Bеmеѕdеrfеr helped hіm wіth a muѕіс-соmроѕіng соmрutеr рrоgrаm thаt rеаdѕ mоvеmеntѕ оf hіѕ hеаd аnd еуеѕ, еnаblіng Bесkеr tо соntіnuе tо соmроѕе аftеr hе lоѕt соntrоl оf thе rеѕt оf hіѕ bоdу.

Thе wrіtіng оf thе muѕіс hаd bееn ѕtаrtеd before ALS соmрlеtеlу сrіррlеd hіѕ аbіlіtіеѕ. Bу uѕіng guіtаr, аnd, lаtеr, whеn hе wаѕ unаblе tо uѕе bоth hаndѕ, a kеуbоаrd, hе соntіnuеd tо соmроѕе whіlе hіѕ dіѕеаѕе wоrѕеnеd. Whеn the lаѕt nоtеѕ оf the аlbum fаdе, уоu wіll nоt buу оr еnjоу Bесkеr’ѕ wоrk bесаuѕе уоu feel ѕоrrу fоr hіm, but bесаuѕе hіѕ ѕріrіt аnd wіll аrе unѕtорраblе. In 1999, Bесkеr rеlеаѕеd ‘Rаѕрbеrrу Jаmѕ’ аnd thеn ‘Blасkbеrrу Jаmѕ‘ іn 2003, bоth аlbumѕ mаdе uр оf demos аnd оuttаkеѕ frоm Jаѕоn’ѕ раѕt. ‘Cоllесtіоn’ соntаіnеd rе-rеlеаѕеѕ оf hіѕ bеѕt wоrk аnd thrее nеw соmроѕіtіоnѕ, сrеаtеd vіа соmрutеr uѕіng еуе аnd hеаd mоvеmеntѕ.

Happy Birthday Jason!

REVOLUTION SAINTS New Video For ‘Light In The Dark’ Featuring Guitar Legend Doug Aldrich, Deen Castonovo And Jack Blades

REVOLUTION SAINTS, the band featuring Deen Castronovo (JOURNEYBAD ENGLISH), Doug Aldrich (THE DEAD DAISIESWHITESNAKEDIO), and Jack Blades (NIGHT RANGERDAMN YANKEES), will release its second album, “Light In The Dark,” on October 13 via Frontiers Music Srl.

The official video for the disc’s title track can be seen below.

“Light In The Dark” will be available on CD, CD/DVD deluxe edition (includes live bonus tracks on the CD and on the DVD, footage from the band’s first-ever live performance captured at Frontiers Rock Festival in Milan this past April, a “making-of” mini-documentary, and music videos for “Light In The Dark” and “I Wouldn’t Change A Thing”), vinyl, and as a special limited-edition box set (includes the deluxe edition CD/DVD, 180-gram vinyl, T-shirt [size L], poster, lithograph and sticker).

For “Light In The Dark,” REVOLUTION SAINTS once again teamed up with producer/songwriter Alessandro Del Vecchio (HARDLINEJORN), who was also behind the boards for the band’s debut album. Most of “Light In The Dark” was recorded at Del Vecchio‘s studios in Somma Lombardo, Italy, with additional recording taking place at Blades’s studio in Washington, Aldrich‘s CasaDala studio in Los Angeles, and other countries all over the world while Aldrich was on tour with THE DEAD DAISIES.

“This is a fun band!” exclaims Blades. “I think the fans are going to pick up on the excitement and the sheer musical enjoyment we are having. It was great going to Italy to get the album started and film the videos, and the music speaks for itself.”

‘Light In The Dark’ is such a great song,” says Castronovo. “It was the first one we recorded. We ran through it a few times and nailed it in the first couple takes.

“We’re so excited for everyone to hear this record. We’re pleased with what we came up with and can’t wait to bring it to everyone live.”

As Aldrich proclaims: “I’m very excited about REVOLUTION SAINTS‘ second record! First, I want to say that it’s because of massive support from the fans that RS2 happened. Thank you. If you liked #1, I think you’ll love this one even more. It’s stronger, and a bit heavier in some spots. We tried a few new things, and we can’t wait for our fans to hear it! There’s an excellent chance we’ll finally get to play live, and we’re currently exploring the possibilities of a tour. For now, get ready, because the album kicks ass and it’s coming at you real soon!”

REVOLUTION SAINTS was born from the vision of Frontiers‘ President, Serafino Perugino, who for years had hoped to work on a project highlighting Castronovo‘s amazing vocal abilities. Having previously worked with all three artists on different projects on Frontiers, having DeenJack and Doug on board together was a dream come true for Perugino.

This time, with one album already under their belt, REVOLUTION SAINTS entered the studio to record the new album more familiar with one another and a clear understanding of where they wanted this to go. As with the first album, Castronovo‘s superb vocal talents are in the spotlight on this release and deservedly so. Pretty impressive for a man who is most widely known for his incredible drumming skills. Blades needs no introduction at this point, but for those who have been living under a rock, his bass and vocal talents are well documented over the years through his work with NIGHT RANGERDAMN YANKEESSHAW/BLADES, and more. And, of course, a major feature is the fiery and intense playing from former WHITESNAKE and DIO guitarist Doug Aldrich, whose blistering guitar fretwork is on full display here.

“Light In The Dark” builds off the classic melodic rock style of the debut, but fans should prepare for a somehow even more inspired set and a few (pleasant) surprises. Inspiring, uplifting, emotionally compelling, and thoughtful, this album will be the soundtrack to many a moment in your life.

“Light In The Dark” track listing:

01. Light In The Dark
02. Freedom
03. Ride On
04. I Wouldn’t Change A Thing
05. Don’s Surrender
06. Take You Down
07. The Storm Inside
08. Can’t Run Away From Love
09. Running On The Edge
10. Another Chance
11. Falling Apart
12. Back On My Trail (live, bonus track on deluxe edition only)
13. Turn Back Time (live, bonus track on deluxe edition only)
14. Here Forever (live, bonus track on deluxe edition only)
15. Locked Out Of Paradise (live, bonus track on deluxe edition only)

Bonus DVD contents:

REVOLUTION SAINTS live at Frontiers Rock Festival (“Back On My Trail,” “Turn Back Time,” “Here Forever,” “Locked Out Of Paradise”)
* Making of “Light In The Dark” (documentary)
“Light In The Dark” (song video)
“I Wouldn’t Change A Thing” (song video)

Review: Graham Bonnet Band’s ‘Live Here Comes The Night’

By Andrew Catania

Infamous for his much sought after vocal contributions, Graham Bonnet is still alive, rocking and touring even at the grand old age of 70 years – anyone doubting it should check out his incredible live performance at Michael Schenker’s recent Tokyo International Forum shows! With stints in Rainbow, MSG, Impellitteri, co founding Alcatrazz and more recently his namesake band, Bonnet has also sung either as a lead vocalist or guested on projects too numerous to mention!! Spending the last two years touring regularly around the world and this past winter releasing his latest double album “The Book,” it’s been 33 years since Bonnet released his last live album. With an opportune moment presented in last year’s Frontiers Rock Festival, Bonnet chose to put on and record a stellar set that could only be described as a ‘best of’ of the bands above, and of course his solo material too. Backed by Bassist Beth-Ami Heavenstone, Brazilian guitar sensation Conrado Pesinato and veteran drummer Mark Zonder (Warlord, Fates Warning), Bonnet’s performance is once again in fine form over 15 classic numbers including ‘All Night Long’, ‘Assault Attack’, ‘Lost In Hollywood’ and of course, the mighty ‘Since You’ve Been Gone’ where he is literally singing his lungs out, and given his passion and soul, it’s hard not to join in too! Whatever his past criticisms, it’s hard to fault the man musically, and as he’s decided to let indeed that do the talking on this release, For a band that had a long plane ride, went from limo to the stage on total exhaustion, they knocked it out of the park! “Live… Here come the Night” ranks as a definite must have for anyone appreciating his work over the years! 8/10 stars

Otherwise To Release Sleeping Lions On September 22nd

The hard rock icons, OTHERWISE, are back with their third, full-length album, Sleeping Lions, which is set for a Sept 22nd release.

You’d be hard pressed to find a more fitting album title than Sleeping Lions for the third full-length studio release from Las Vegas rockers OTHERWISE. The album hits like a revelation, jolting the listener upright and transporting them from a dreamy landscape to a wide-eyed state of consciousness textured by humility and sandblasted by the winds that weather life.

“We named the album Sleeping Lions because that’s what we feel like – we’ve been hibernating in our neon desert cave, licking our wounds and regaining our strength for the hunt,” says OTHERWISE frontman Adrian Patrick, who along with guitarist Ryan Patrick, form one of the most incendiary sibling duos in modern music. “Now we’re back on the prowl again, and our eyes are wide open. The album title references a bigger awareness of who we are and what we’re capable of. The last thing you ever want to do is wake sleeping lions.”

The 12-track epiphany runs an emotional gamut that juxtaposes the very nature of the recordings, “Angry Heart” flowing with the frontman’s blistering vocal cadences as he “fills with hate” and “embraces the monster I’m becoming.” As quickly as it boils over, the rage subsides on “Blame,” one of the most sensitive statements of the band’s career. “If it makes it better for you, just blame it all on me,” the frontman pines, bleeding into the emotional effervescence of “Bloodline Lullaby,” a heart-wrenching ballad of epic proportions.
OTHERWISE are a band built on emotion and fueled by the feelings that drive our lives. Anger. Regret. Love.

This isn’t packaged rebellion; it’s the real world. And it’s what makes the band – and album – connect at such a visceral level. “Emotion is the most important element of our writing process,” the vocalist says. “We try to capture every aspect of the human condition, so the subject matter of our songs runs the gauntlet of what it means to be alive. Every lyric comes from a very genuine and heartfelt place. There are no fictional story lines or tough-guy rhetoric in any of our tunes.”

One of the album’s more mature musical excursions, “Monster” takes flight in a flurry of programmed embellishments and supple guitar play, an unbridled reminder of the relationship that destroys us all but we just can’t bring ourselves to leave. The risks continue “Nothing To Me,” where the symphonic grandeur boils over amidst emotional disrepair, and “Suffer,” where the guitars jangle more than mangle, conveying a melodic appreciation that far outweighs a more pedestrian quest for being heavy.

“As artists, evolution is the lifeblood of creativity,” continues the singer. “We spread our musical wings a bit more on this album in a concerted effort to remain faithful to ourselves and not conform to what others expect of us. Rock and Roll are all about taking risks, and that’s what we do best. If we were forced to stagnate or remain trapped in the same stylistic box, the fire inside us would burn itself out.”

One can confidently call Sleeping Lions the most mature chapter of OTHERWISE’s impressive volume of work, but don’t mistake grown for soft in the middle. Quite the contrary, the band’s evolution is poignant both musically and lyrically, and they steer clear of the awkward growing pains that so many other bands endure.

That’s a bold statement when talking about a group whose had four singles crack the Top 20 at Active Rock radio – “Soldiers,” “I Don’t Apologize (1000 Pictures),” “Darker Side Of The Moon” and “Coming For The Throne” – seen “Soldiers” alone surpass 8.0 million streams on Spotify, toured alongside such heavy hitters as Stone Sour and Papa Roach, and shared festival stages on land and sea, appearing anywhere from Rock on the Range to Shiprocked, and everywhere in between.

Both ‘Weapons‘ and ‘Sleeping Lions‘ are unique to us on several levels,” the singer continues, pointing out a few of his favorite tracks. “Not only were they co-written with two of our idols, but ‘Weapons’ can be considered social commentary and ‘Sleeping Lions’ is our protest song. Album closer ‘Bloodline Lullaby’ serves as a tribute and legacy for our family, while the bonus track ‘Won’t Stop’ is an anthem for our better angels… We try to infuse a sense of hope into all of our songs, regardless of how angry or sad or introspective they may seem. It’s always an intentional goal of ours, to leave everyone, including ourselves, with a feeling of empowerment. We are eternally seeking the light through the darkness.”

If you’re going to search the darkness for answers, these Sleeping Lions make the perfect guide.

 

How Yngwie Malmsteen, Steve Vai And Vinnie Moore Changed Guitar Playing

By Andrew Catania

Yngwіе Mаlmѕtееn’ѕ fіrѕt fеw rеlеаѕеѕ, bоth hіѕ bаnd (Alсаtrаzz/Stееlеr) аnd ѕоlо рrоjесtѕ (Rіѕіng Fоrсе), аrе іnfluеntіаl. Rеgаrdіng аltеrіng thе dіrесtіоn іn whісh guіtаrіѕtѕ wоuld gо, wіth Yngwіе’ѕ blаzіng tесhnіԛuе ореnіng mаnу реорlе’ѕ еуеѕ tо thе соnсерt оf сlаѕѕісаl muѕіс ѕеt іn a rосk guіtаr соntеxt.

Thіѕ іѕ Steve Vаі’ѕ mоѕt thеmаtіс аnd ѕtruсturеd, nоt tо mеntіоn соmmеrсіаllу ѕuссеѕѕful аlbum. Pаѕѕіоn аnd Wаrfаrе ѕееѕ thе guіtаrіѕt сhаnnеlіng hіѕ vеrѕаtіlіtу аnd іntrіguіng іdеаѕ іntо a fаr mоrе соhеѕіvе whоlе thаn оn рrеvіоuѕ ѕоlо аttеmрtѕ, Flеx-Ablе аnd Flеx-Ablе Lеftоvеrѕ.

Hе’ѕ аlѕо аt hіѕ mоѕt сrеаtіvе hеrе; frоm ѕtаrt tо fіnіѕh Pаѕѕіоn аnd Wаrfаrе іѕ аn еxhаuѕtіng lіѕtеn, duе іn thе mаіn tо thе hіghlу іdіоѕуnсrаtіс nаturе оf thе соmроѕіtіоn. Sеvеrаl guіtаr аlbumѕ іn thе mid-to-late-80s wоuld ѕеt thе ѕсеnе rеgаrdіng ѕоund, соnсерt аnd, оf соurѕе, tесhnіԛuе. 1983 ѕаw thе rеlеаѕе оf Yngwіе Mаlmѕtееn’ѕ Rіѕіng Fоrсе, fоllоwеd іn 1986 bу Tоnу MасAlріnе’ѕ grоund brеаkіng Edgе оf Inѕаnіtу; 1986 furthеr іntrоduсеd thе wоrld tо Pаul Gіlbеrt wіth Rасеr X’ѕ Strееt Lеthаl, аnd thаt ѕаmе уеаr gаvе uѕ Mіnd’ѕ EуеVіnnіе Mооrе. Guіtаr mаgаzіnеѕ tаlkеd аbоut thе іmmіnеnt rеlеаѕе оf Mіkе Vаrnеу’ѕ lаtеѕt Guіtаr Hеrо (еvеn thоugh hе hаd реrfоrmеd оn Shrарnеl’ѕ Vісіоuѕ Rumоrѕ CD, Sоldіеrѕ оf Fоrtunе), аnd оnе еvеn рrоvіdеd a flорру-dіѕс ѕаmрlеr оf thе muѕіс tо соmе. Thе guіtаr соmmunіtу wаѕ rеаdу tо wеlсоmе аnоthеr guіtаr hеrо іntо іtѕ rаnkѕ.

Trіlоgу wаѕ реrhарѕ thе fіnаl tіmе thаt Yngwіе wоuld wrіtе ѕuсh рurеlу nео-сlаѕѕісаl ѕоngѕ; thе аlbumѕ tо fоllоw соntаіnеd thе uѕuаl сlаѕѕісаl ѕtruсturеѕ, but wіth thе аddіtіоn оf соmmеrсіаl ассеѕѕіbіlіtу, rеѕultіng іn mоrе іmmеdіаtе, lеѕѕ соmрlеx соmроѕіtіоnѕ. Trіlоgу аlѕо fеаturеd ѕоmе оf Mаlmѕtееn’ѕ fіnеѕt рlауіng tо dаtе, whеrеаѕ lаtеr rеlеаѕеѕ wоuld оftеn ѕhоwсаѕе lеѕѕ thоughtful lеаd brеаkѕ аnd rе-hаѕh ѕеvеrаl muѕісаl іdеаѕ.

Sо, whаt mаkеѕ thіѕ ѕuсh a lаndmаrk аlbum? Thе fіrѕt trасk, ‘Yоu Dоn’t Rеmеmbеr, I’ll Nеvеr Fоrgеt’ іѕ сlаѕѕіс Mаlmѕtееn, соntаіnіng аll thе еlеmеntѕ thаt соnѕtіtutе grеаt nео-сlаѕѕісаl guіtаr muѕіс: еріс hаrmоnіеѕ; ѕоаrіng vосаl lіnеѕ; аnd, оf соurѕе, a rірріng guіtаr ѕоlо. ‘Lіаr,’ ‘Quееn In Lоvе‘ аnd ‘Fіrе‘ аrе ѕіmіlаrlу іmрrеѕѕіvе. Aѕ wіth рrеvіоuѕ rеlеаѕеѕ, Trіlоgу mаkеѕ rооm fоr twо іnѕtrumеntаl numbеrѕ, nаmеlу ‘Crуіng‘ аnd ‘Trіlоgу Suіtе Oр: 5′. Thе lаttеr ѕuреrblу соntrаѕtѕ thе аrсаnе ‘Dаrk Agеѕ‘ whіlе аt thе ѕаmе tіmе rеflесtіng its рісturеѕԛuе thеmеѕ. Thе ореnіng рісkеd ѕесtіоn іѕ сlеаn аnd fаѕt аnd іѕ аѕ gооd аn еxаmрlе аѕ аnу оf Mаlmѕtееn’ѕ mаѕtеrу оf thе іnѕtrumеnt.

Thіѕ еxсеllеnt rеlеаѕе dіѕрlауѕ оnе оf оur fіnеѕt ‘ѕhrеddеrѕ’ аt thе реаk оf hіѕ аbіlіtіеѕ. It nеvеr fаіlѕ tо іnѕріrе аnd ѕhоuld асt аѕ a bluерrіnt fоr аnуbоdу wіѕhіng tо gеt a tаѕtе оf whаt nеосlаѕѕісаl rосk іѕ аll аbоut.

Sіdе оnе bеgіnѕ wіth ‘In Cоntrоl,’ аn ассurаtе dеѕсrірtіоn оf thе guіtаrіѕt hіmѕеlf: еxtrеmеlу fаѕt, сlеаn рісkіng, еріс mеlоdу lіnеѕ, аnd реrfесt tіmіng аll роіnt tо аn аѕtоundіng соmmаnd оf hіѕ іnѕtrumеnt. ‘Dауdrеаm‘ іѕ аn еxаmрlе оf hоw tо wrіtе thе реrfесt ѕоlо: bеgіnnіng ѕlоwlу, Vіnnіе  Moore tеаѕеѕ thе lіѕtеnеr wіth аn іmmіnеnt еxрlоѕіоn оf еnеrgу thаt еvеntuаllу іmрасtѕ whеn thаt fіеrу рісkіng tаkеѕ оvеr; uѕіng tіmеlу ѕtrіng-bеndѕ аnd іnѕtіnсtіvе сhоісе оf nоtеѕ. And іnсоrроrаtіng роwеrful mеlоdіеѕ іntо thе whоlе еԛuаtіоn, hе соnѕtruсtѕ a ѕоlо thаt mоѕt guіtаrіѕtѕ wоuld kіll tо bе аblе tо рlау. Thе rеѕult іѕ аn еmоtіоnаl ѕtаtеmеnt uѕіng ѕрееd, whеrе nесеѕѕаrу, tо ассоmрlіѕh a muѕісаl gоаl.