Tag Archives: all that shreds magazine

Motorhead Releases “Under Cover” A Collection Of Their Best Cover Songs

One thing Lemmy Kilmister, Phil Campbell and Mikkey Dee liked to do throughout their years together in MOTÖRHEAD was grab a favorite song by another artist and give it a good old fashioned ‘Motörheading.’  To run them through the Motörizer, if you will. To rock them, roll them and even give them an extra twist and edge.

In celebration of some of those finest moments, the band will release Under Cöver, a collection of some of their best covers, and a collection which will include the previously unreleased version of David Bowie’s timeless classic “Heroes.”  Recorded during the Bad Magic sessions in 2015 by Cameron Webb, and was one of the last songs the band recorded together.

“It’s such a great Bowie song, one of his best, and I could only see great things coming out of it from us, and so it proved to be,” says Phil Campbell“and Lemmy ended up loving our version.”

“He was very, very proud of it,” says Mikkey Dee“not only because it turned out so well but because it was fun! Which is what projects like this should be – fun!”

To that ethic, the rest of the album contains loud and proud, raucous and raging rock ‘n’ roll takes on the likes of “God Save The Queen” (Sex Pistols), “Cat Scratch Fever” (Ted Nugent), “Rockaway Beach,” (The Ramones), Breaking The Law” (Judas Priest) and “Whiplash” (Metallica) which earned the band a Grammy in 2005 for Best Metal Performance.

“We were happy with them at the time, and we’re happy with them now!” affirms Campbell, while Dee says, “We should remember that it’s about having some fun with songs that we all loved.”

If that doesn’t have you scrambling for your music delivery device, then check your pulse pronto. Or just start scrambling for a copy of Under Cöver immediately. You won’t be sorry.

Under CöverTrack listing 
1. Breaking the Law (Produced by Cameron Webb) 2008
2. God Save the Queen (Produced by Bob Kulick and Bruce Bouillet) 2000
3. Heroes (Produced by Cameron Webb) 2015
4. Starstruck (Produced by Cameron Webb) 2014
5. Cat Scratch Fever (Produced by Peter Solley) 1992
6. Jumpin’ Jack Flash (Produced by Bob Kulick and Bruce Bouillet) 2001
7. Sympathy for the Devil (Produced by Cameron Webb) 2015
8. Hellraiser (Produced by Billy Sherwood) 1992
9. Rockaway Beach (Mixed by Cameron Webb) 2002
10.Shoot ‘Em Down (Produced by Bob Kulick and Bruce Bouillet) 2001
11. Whiplash (Produced by Bruce Bouillet and Bob Kulick) 2005

All songs performed by MOTÖRHEAD.

Lemmy Kilmister – Bass/Vocals
Phil Campbell – Guitar
Mikkey Dee – Drums

Swedish Guitarist Mathias Holm Klarin Releases His Solo Album “Dream Catch”

 MATHIAS HOLM KLARIN is the guitar player of the Swedish prog metal band MindSplit, and this is his new solo album.

Please describie the new album musically and lyrically?

– It’s an instrumental album with songs I’ve written since my first release in 1996/1997. I would describe it as a melodic shredding guitar album with superb drum playing by Jon Skäre and tasty bass playing by Conny Payne.

if you had to choose one artist (I know this is hard) but if we had to say “recommended for fans of XXXX” who would that be?

– Hmm as you said, very hard. But maybe fans of Tony MacAlpine? The album has many different styles, so you will for sure hear much more influences I’ve had over the years.

how does it differ from your previous recordings

– Only the development of myself I guess.

What was the goal of making this album?

– I just wanted to release the songs to move forward.

Any particular influences towards music or lyric subject?

– Feelings, passion, nature, heart, and mind.

how long did it take to make this album?:

– Faaaar too long because of many different things.

what have the different musicians contributed to the result?

– Jon and Conny are great players, so their playing has made the album better. I always let Jon hear my ideas first and then do whatever he wants with the drums; he always makes me happy! Conny and I work very well together, so we arrange the bass in the studio when we record it. He has great ideas, and I love his tone and vibrato. Both Conny and Jon has been playing with me since I started to record the songs for this album, I love them! 

Musicians on the release:

Mathias Holm Klarin: guitars, and keyboard programming and all other voice.
Conny Payne: bass
Jon Skäre: drums

Production and recording credits:

Mathias Holm Klarin

Production and recording credits:

– The music on the album is written, produced, mixed and mastered by Mathias Holm Klarin
– Drum recording by Jon Skäre
– Words on ”In tears” by Hans Birger Andersson

Other credits:

– Photos by Mikael Svedman
– Cover arts by Mathias Holm Klarin

Official Website:

–  www.mathiasholm.se

1. Reborn Identity
2. Flow Your Mind
3. Dream Catch
4. Green Water
5. In tears
6. A past reflection
7. Divine Journey

Dream Catch is available on iTunes, Amazon, Spotify, CD Baby and other online digital music sites.

Is The Guitar Going To Be Extinct From Fewer People Interested In Playing?

By Andrew Catania

Thеrе аrе tіmеѕ whеn a trеnd hарреnѕ ѕо fаѕt thаt іt’ѕ juѕt lіkе bеіng hіt іn thе fасе wіth аn ісе соld tоwеl, аnd thеn thеrе аrе tіmеѕ whеn іt’ѕ ѕо ѕlоw mоvіng thаt уоu саn fееl ѕоmеthіng hарреnіng, but іt tаkеѕ a whіlе bеfоrе уоu rеаlіzе thаt уоu’rе tоtаllу іmmеrѕеd іn ѕоmеthіng nеw. A lіttlе оf bоth hарреnеd tо mе оvеr thе lаѕt wееk аѕ іt fіnаllу ѕunk іn thаt mаіnѕtrеаm рор muѕіс іѕ nоw tоtаllу rерrеѕеntеd bу thе lаtеѕt muѕіс trеnd. And guеѕѕ whаt? Thе еlесtrіс guіtаr, a ѕtарlе оf mоdеrn muѕіс fоr mоrе thаn 50 уеаrѕ, hаѕ lіttlе раrt іn іt.

In саѕе уоu’rе wоndеrіng, іt’ѕ еlесtrоnіс dаnсе muѕіс (оr EDM аѕ wе’vе grоwn tо саll іt) thаt hаѕ tоtаllу blеndеd wіth рор muѕіс tо bесоmе thе сurrеnt bасkgrоund muѕіс оf оur lіvеѕ. It’ѕ nоw іn еvеrу nооk аnd сrаnnу whеrе thе lаtеѕt muѕіс іѕ rеԛuіrеd tо bе ѕееn аѕ hір.

Dоn’t gеt mе wrоng, I’m іn thе muѕіс buѕіnеѕѕ uр tо mу еаrѕ еvеrу dау аnd I’m tоtаllу аwаrе thаt EDM hаѕ bесоmе bоth a рhеnоmеnоn аnd a gіаnt mоnеу mаkеr оvеr thе lаѕt thrее оr fоur уеаrѕ іn tеrmѕ оf live еvеntѕ. I’m аlѕо mоrе thаn аwаrе thаt оvеr thе lаѕt twо уеаrѕ еlеmеntѕ оf EDM hаvе реrmеаtеd thе Tор 40 сhаrtѕ оn thе vаѕt mаjоrіtу оf hіtѕ. Yоu hаvе tо bе соmрlеtеlу muѕісаllу unсоnѕсіоuѕ tо nоt tо hаvе ѕееn аnd hеаrd thаt.

Sо аll уоu kіdѕ trуіng tо mаkе thе dесіѕіоn whеthеr іt’ѕ bеttеr tо lеаrn hоw tо mаkе bеаtѕ оr jоіn a gаrаgе bаnd, сhооѕе wіѕеlу. Thе muѕіс оf tоdау mіght nоt bе thе muѕіс оf tоmоrrоw. Thіnk hаrd bеfоrе уоu gіvе uр оn thаt рlаnk оf wооd wіth mеtаl wіrеѕ. Thе еlесtrіс guіtаr mау bе dеаd іn muѕіс tоdау аѕ еvіdеnсеd bу guіtаrіѕtѕ еvеrуwhеrе ѕсrаmblіng tо fіnd nеw lіnеѕ оf wоrk, but іt mау juѕt аѕ lіkеlу rіѕе frоm thе muѕісаl аѕhеѕ оf tоmоrrоw. Trеndѕ аrе lіkе thаt.

Eасh уеаr, thоuѕаndѕ оf trееѕ аrе hаrvеѕtеd fоr thе tоnаl рrореrtіеѕ оf thеіr wооd, ѕоmе оf thеm ѕо rаrе thаt thеу’rе іn dаngеr оf gоіng еxtіnсt. But thе lаw, сrеаtеd tо hеlр ѕаvе rаrе ѕресіеѕ оf trееѕ, hаѕ hаd аn unеxресtеd еffесt оn thе muѕісаl іnduѕtrу. Evеr ѕіnсе thе U.S. gоvеrnmеnt рut еndаngеrеd wооdѕ оn its lіѕt оf іtеmѕ rеѕtrісtеd fоr іmроrt, ѕоmе guіtаr mаkеrѕ, ѕеllеrѕ, аnd еvеn muѕісіаnѕ hаvе wоrrіеd thаt thеу соuld bе brеаkіng thе lаw ѕіmрlу bу оwnіng оr trаdіng іn wооdеn іnѕtrumеntѕ.

Thе lаw hаѕ еvеn саuѕеd ѕоmе іn thе іnduѕtrу tо ѕау thеу’rе bеіng unfаіrlу tаrgеtеd. Hоdgеѕ ѕауѕ hе аgrееѕ wіth lаwѕ tо protect еndаngеrеd wооdѕ but thаt thе іnѕtrumеnt buѕіnеѕѕ hаѕ bесоmе a ѕсареgоаt. “Thе flооrіng іnduѕtrу аnd thе furnіturе іnduѕtrу, уоu rеаllу hаvеn’t hеаrd оf tоо mаnу оf thоѕе соmраnіеѕ bеіng ѕlарреd оn thе wrіѕt, аnd іnѕtrumеntѕ rеаllу mаkе uр wау lеѕѕ thаn оnе реrсеnt оf thоѕе [wооd] іmроrtѕ,” hе ѕауѕ.

Thаt ‘ѕlар оn thе wrіѕt’ hе’ѕ rеfеrrіng tо wаѕ a hіgh рrоfіlе іnсіdеnt lаѕt уеаr whеn fеdеrаl аgеntѕ соnfіѕсаtеd раllеtѕ оf еndаngеrеd Mаdаgаѕсаr еbоnу іn a rаіd оn thе Gіbѕоn Guіtаr Cоmраnу. Sіnсе thеn, ѕоmе bіg іnѕtrumеnt mаkеrѕ ѕау thеу’rе bеіng mоrе саrеful hоw thеу buу wооd frоm оvеrѕеаѕ. Chаrlіе Rеddеn іѕ thе ѕuррlу сhаіn mаnаgеr fоr Tауlоr Guіtаrѕ. Hе ѕауѕ uѕіng was sustainably hаrvеѕtеd wооd mаkеѕ ѕеnѕе frоm a buѕіnеѕѕ реrѕресtіvе.

The Fell Featuring Billy Sheehan, Release New Video Introducing Front-Man Anthony De La Torre

The Fell –a new alternative rock band consisting of the multi-talented Anthony De La Torre on vocals, who you may also know as Young Jack Sparrow in Pirates of Caribbean: Dead Men Tell No Tales or the drummer in Metallica’svideo “Man Unkind” with the cast of Lords of Chaos, in which he plays “Hell Hammer”, Mike Krompass – Guitar player and Multi-Platinum producer, Notorious session drummer Randy Cooke and last, but not least, Billy Sheehan (Mr. BigWinery Dogs) on bass, who needs no introduction.

The Fell is not typical of any of their past projects, It’s a fresh new direction, but uses their influences to create a more modern sound, with heavy guitars, powerful riffs, crushing grooves and massive vocals.



David T Chastain And Leather Leone Discuss We Bleed Metal 17

By Andrew Catania

Riffmaster David T Chastain has re-released We Bleed Metal with some of the music re-recorded.  I caught up with the Shrapnel Records protege to discuss his new project.

What made you guys re-record portions of We Bleed Metal 17?

David T. Chastain: I live in a studio, so I am always experimenting around with new and old stuff. I like to jam over drum tracks and see what happens. Stian suggested that on the next album we lay down the drums first, so I just went ahead and recorded entirely new music over the drums on WBM. 100% new music. There is nothing the same as far as the guitar and bass go. This version is much more live sounding whereas the original 2015 version is a much more produced work. Both have their good points. Please see below for a more detailed explanation of the release.

How have you as a band evolved?

David T. Chastain: Since Mystery of Illusion until today I think we have maintained a pretty consistent “Chastain sound.” When Leather rejoined the band in 2013, it was as if we had only been apart for six months. We have a true working relationship that is quite surreal. I pretty much write in the same process as I always have, so I guess to me the main evolution has been the recording process. In the old days, we all had to be in the same studio at the same time and record more or less together. In today’s world, you don’t even need to be in the same country.

Leather Leone: The band has evolved into a recording project. We no longer tour, and It was a fluke that “Surrender To No One” and “We Bleed Metal” were recorded. Maybe we will do it again in 20 years.lol

Was there one particular issue you had with the old We Bleed Metal?

David T. Chastain: None at all. I know Leather loved the first WBM. As I mentioned I have unlimited studio time to experiment around with different ideas and I did a similar double release of another one of my bands, and it turned out interesting. On this new version of WBM, I wanted it to sound as live as possible. One guitar track only. So, in reality, it sounds much more like a live recording.

Leather and David, how did you get started with your respective instruments and how did Chastain get formed?

David T. Chastain: When I was growing up there was an old acoustic guitar around the house that was very difficult to play because the playing action was terrible. However, once I finally convinced my parents to buy me an electric guitar, I could begin to learn and play. I had another guitar playing friend, and we use to jam a lot which made me initially become a creator as opposed to learning songs by other people. I think that is why I can sit down and write an album in a day if I have to. Creating music has always been my thing not copying someone else’s.

Leather Leone: I started singing in church at a very young age….I can remember being so frightened but feeling so natural at the same time. So I continued.  I was introduced to David T Chastain through Mike Varney (Shrapnel Records). He had befriended me when I was in a San Francisco band called “Rude Girl.”

Chastain, of course, being a guitar virtuoso, was involved with Mike. He had mentioned he was interested in a female voice….you know the rest.

What is in store for the rest of 2017 for Chastain?

David T. Chastain: Obviously we are pushing all CHASTAIN albums. Earlier this year we released CHASTAINIUM which is a collection of all the albums published on Leviathan Records. From The 7th of Never to We Bleed Metal. The first time there has been a CHASTAIN album with both Leather Leone and Kate French together. Check it out at www.chastainium.com

It is quite an exciting release to have all of those albums represented on one album.

When shall we expect a new record?

David T. Chastain: With me you never know. It could be next year or maybe never. Just depends on how inspired Leather and myself become over the idea. Leather is releasing a new solo album probably in late 2017, and I know she is excited about that. As far as I go, it is a major undertaking to release a new album since I am the writer, guitarist, producer, and record company. We will see.

We Bleed Metal 17


            CHASTAIN‘s We Bleed Metal 17 is the next generation of the band’s 2015 Cd We Bleed Metal.  Guitarist David T Chastain explains the new release: “As everyone knows I don’t tour any longer and spend all of my time in the studio. So I experiment a lot with both new and old material. We Bleed Metal 17 has the same drums and vocals as the original We Bleed Metal, but it has 100% new and completely different music. An entirely different sound and feel from the original version. Also on most CHASTAIN albums, there are always at least five guitar tracks per song. However, on We Bleed Metal 17 there is only one guitar track per song. So this is a very live sounding release with actually more lead guitar than the original. This is as close as anyone is ever going to get to a high-quality live CHASTAIN album. There is one guitar, bass, drums, lead vocal and a couple of harmony vocals. Also, We Bleed Metal 17 has a very live sound with more drum room mics incorporated into the mix. You can hear Stian Kristoffersen’s drums more as they are front and center on this release without a massive wall of rhythm guitars taking up space in the mix.”

Returning vocalist Leather Leone adds: “This is my favorite CHASTAIN release since Mystery of Illusion!”

David continues, “As time goes on I have learned to enjoy the more stripped down sounds. In the early days sometimes there would be 20 guitar tracks on a song. Needless to say, it was impossible to replicate that live and a major reason I never liked to tour. To me, there was too much missing from the recorded versions for me to enjoy myself.”

Vocalist Leather Leone was the vocalist on the classic CHASTAIN albums: Mystery of Illusion, Ruler of the Wasteland, The 7th of Never, The Voice of the Cult and For Those Who Dare.  Leather rejoined the band in 2013 with the release of the impressive Surrender To No One. She has just recently toured Europe as a solo artist with her new Brazilian backing band being billed as “Leather Leone: The Voice of Chastain.” Leather is putting the finishing touches on her new solo album that should be out later in 2017. Leather adds, “The response has been fantastic on my live concerts! I have been signing autographs for 20-year-old boys whose parents had turned them on to us. They come up to me crying. The boys from Brazil are so blown away by our fans. Spain, Germany, and Sweden were crazy. I feel like I’m 20. The female fans are so hot, and the boys in the band love it!”

Also returning for We Bleed Metal 17 is original CHASTAIN bassist Mike Skimmerhorn who once again lays the foundation so that the rest of the band can explore and create.

Guitarist David T. Chastain states, “This one live guitar sound is something I have been used to most of my professional life in concert situations but never recorded a metal record in that format. We still have a foot in the past, but we are also embracing the future. I have my style of writing metal, and it isn’t ever going to change to any substantial degree. Leather proves she hasn’t lost anything from her glory days. Stian’s kicks the band to the next level, as he is the youngest member with the most modern influences. For me, this album is one of my favorite CHASTAIN releases in the catalog because it could be replicated100% in concert. I find myself being able to listen to We Bleed Metal 17 over and over.”

As the title track declares: “We will sacrifice and we will pay the price cause WE BLEED METAL!”